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What was once yours for a few days will now enter the public domain. You will, however, see through our lies and grasp the shining truth within. Our insights will be shot through with distort rays and we will revel in our own inconsistencies. Other than achieving a Number One hit single we offer you nothing else. Fame will flicker and fade and sex will still be a problem. We will lie to you but we will lie to ourselves as well. The formula will be untampered with and the success will be repeated a second, a third and sometimes even a fourth time. Once or twice a decade an act will burst through with a Number One that hits a national nerve and the public’s appetite for the sound and packaging will not be satisfied with the one record.This only festers and grows proportionately as the band gets bigger and no band ever grows out of it.
KLF 009B 1988 (YOU KNOW WHAT’S GONE) TEXT BY: LORD ROCK AND TIME BOY A. Even if the unsuspecting artiste doesn’t know the above, rest assured most of the record business does but for some lemming-like reason refuses to acknowledge it.Of course there are those artists that have worked long and hard building personal artistic confidence, critical acclaim, a loyal following (all strong foundations) and then have a Number One, that is that crowning glory. What can be achieved when no great financial rewards or long term career prospects allowing for creative freedom can be hoped for, let alone guaranteed? If this book succeeds in becoming Bert Weedon’s “Play In A Day” for some lost month in the late eighties we will be happy. Follow this simple step by step guide: Firstly, you must be skint and on the dole.But even then the disgruntled purists amongst the loyal following desert in disgust at having to share their private club with the unwashed masses. If anybody actually gets a Number One by following our instructions we promise them a night out with The JAMS in Madagascar. For those that might be offended please read all “he’s”, “hims” and “his”‘ as “she’s”, “hers” and “hers”‘. Anybody with a proper job or tied up with full time education will not have the time to devote to see it through. The fact that a record is Number One automatically means the track is in a very short period of time going to become over exposed and as worthless as last month’s catchphrase. Basically, a Number One is seen as the ultimate accolade in pop music. Most artists are never able to recover from having one and it becomes the millstone around their necks to which all subsequent releases are compared.